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System Failure: Sounds, scenes and histories of women and queer folks in electronic experimental music. at Kiosk Radio
System Failure is a monthly radio show/documentary, currently holding a residency at the independent community radio Kiosk Radio (https://kioskradio.com), and previously airing for two years on the independent online radio Internet Public Radio. The show is focusing on histories of women and queer folks in electronic experimental music, mostly outside the dominant Anglo-American contexts (but including US and Canadian marginalized and indigenous artists in its scope), seeking different trajectories in the use of music technologies, histories of scenes and places as well as community and belonging. The show’s format ranges from interviews/discussions and audio documentaries, to story-telling along with music, field recordings and archival material. System Failure showcases music from a variety of genres (with attention to electronic and experimental music) that is made primarily by individuals who identify as women, queer folks but also marginalized communities along with histories of their local scenes and influences/roots, surrounding and interrelated works of sound-art, film, writing, spoken word including, interviews with artists, DJs, producers, collectors, labels, cultural critics, collectives etc. The show aims to emphasize scenes and genres where the above artists’ contribution remains obscured, exploring local scenes that don’t get exposure to mainstream or even alternative media, as well as the work of labels, DJs and collectors that discover, preserve and give public access to those works. Some of System Failure’s previous guests include KP Transmission, Jordi Serano (Domestica Records), the Greek feminist artists' collective Critical Music Histories; Mark Gergis and Yamen Mekdad of the Syrian Cassette Archives; music historiographer/artist Johann Merrich; several documentary-style tributes on artists/scenes such as Pamela Z and Ultra Red Some of the broader themes the show engages with are decolonizing electronic music histories, the role of institutions in the current cultural production, diasporic scenes, transnational artists’ solidarity and more political aspects of music making along the lines of gender, race and class.